Summer courses in humanities

Cubism, Futurism and Constructivism are pivotal movements in the history of modern art – encapsulating all the promise and peril of the 20th century’s devastating birth, and even helping rewrite perceptions of space and time.

Are we living in an age of vibes? Have recent political events such as the re-election of Donald Trump or Brexit occurred because of a “vibeshift” in popular discourse? This course analyses the use of this popular term across a range of media and texts in a quest to grasp what it denotes, why it is being mobilised right now and where we can find its roots in the history of ideas.

Catherine Berger holds a PhD in the History of Art from University College London, where she also taught for many years. She has worked as a tutor at the University of Basel and as a researcher at the University of Zurich and taught in various other institutions, including adult education and a secondary school. She has worked as an editor, written for publications and regularly translates essays and book chapters in her areas of expertise. The analysis of the relationship of cultural production to its social conditions is at the core of her work. Her interests and methods reach across disciplinary boundaries, interweaving visual culture with philosophy, sociology, political and economic theory, linguistics, literature, musicology and psychology, often with a focus on feminism, gender and theories of the maternal. A passionate teacher, Catherine works hard to create inclusive, supportive, student-centred learning environments.

This course will look, decade by decade, at the leading figures of the generation caught up in the turmoil of the Revolution whose lives and poetry together form a veritable seismograph of the unfolding tragedy. Their extraordinary interrelationships and the originality and power of their writing constitute one of the richest periods in the history of Russian Literature.

Black London is shifting and ever-evolving. This course explores how Costa award winning Caleb Nelson’s novel ‘Open Water’ and the great 1950’s classic of immigrant fiction, Sam Selvon’s ‘The Lonely Londoners’ reimagined our multicultural metropolis.

The experience of living in Berlin in the early 1930s had a transformative effect on the life and work of Christopher Isherwood. In this course, we will discuss Isherwood’s masterpiece, Goodbye to Berlin (1939), and his autobiography Christopher and His Kind (1976), which reveals the real people behind the characters of Sally Bowles and Otto Nowak, and shines a light on the queer culture of Berlin Isherwood was unable to write about in the 1930s.

On this in-college literature course we will take the temperature of the contemporary poetry scene through close readings from the 'Forward Book of Poetry 2025', which showcases poems from the best collections recently published in the UK and around the world.

Ranging from sixteenth century love sonnets via bawdy Restoration verse to a Victorian eroticised poetic narrative, this course examines how the language of love and desire, and the poetic representations of gendered bodies, provide an idiom that can be used to express both conservative and more subversive cultural ideas.

Join us for an exploration of the ways we experience global literatures of our time. Inter-generational memory is the focus of two prize-winning novels, The Vegetarian (2007) by Han Kang and The Island of Missing Trees (2021) by Elif Shafak. Unearthing the painful truths of history in the context of culturally/politically divided Korea and Cyprus, the authors deal delicately, and brutally, with love, the environment, patriarchy, resistance and the metamorphosis of the female body.

Explore and discover extraordinary short stories from renowned women writers of the 1940s and 50s, which present an insight into a time of great change in Britain, when domestic situations were rewritten, social customs challenged and new freedoms embraced. Authors include Elizabeth Bowen, Elizabeth Jane Howard, Penelope Mortimer, Elizabeth Taylor and Daphne du Maurier.