Summer courses in humanities

This course will look, decade by decade, at the leading figures of the generation caught up in the turmoil of the Revolution whose lives and poetry together form a veritable seismograph of the unfolding tragedy. Their extraordinary interrelationships and the originality and power of their writing constitute one of the richest periods in the history of Russian Literature.

This one day course will consider Celine Sciamma’s importance as a filmmaker by exploring in some detail a number of her key films from her debut Water Lillies (2007), to films such as Tomboy (2011), her breakthrough Girlhood (2014), and her more recent popular successes Portrait of a Lady on Fire (2019) and Petite Maman (2021).







Dr Karine Chevalier is a lecturer in Film studies. She is also a filmmaker. Her main research interests lie in the field of Transnational Cinema, French and Francophone Cinema, Visual Arts and Aesthetics, Postcolonial Studies, Intermediality, as well as Screenwriting and Filmmaking, with a specific focus on Violence and Resilience, Creative Voices, Digital Storytelling and Multiscreens, Alterities and Minorities, Moving (auto)Portraits and Masks.

Edith Wharton and Henry James had a keen eye for a well-designed and tastefully decorated house and both brought us depictions of splendid interiors in their novels set in ‘the Gilded Age’. We’ll discuss the changing tastes at the turn of the century, and how both authors used interior decoration to reflect the moral turn of their characters and the age.

Discover the development of the British Landscape tradition from the 18th and 19th centuries. The Victoria and Albert Museum has the largest collection of John Constable sketches in the world, and we will discuss the works on display in detail and compare with works by J.W.M Turner and other artists on display.

Come and explore the work of three pioneering American satirists of the inter-war years. Ranging from sharp, dry, bitter irony to macabre laughter, the precise insights of Dorothy Parker, Nathanael West, and Sinclair Lewis still resonate with modern readers. We’ll look at their dissection of society, considering their critiques of social aspiration, snobbery, status anxiety, and The American Dream.

What happens when word becomes image? From Chinese calligraphy to the prints of Francisco Goya, the graffitied phrases of Jean-Michel Basquiat and truisms of Jenny Holzer, this short course explores how to read text as image. We'll explore how we might read differently in the context of an artwork and how to approach artworks that rely on text as part of their visual composition.

Whether you are new to poetry or an experienced reader of verse, this course will enable and enhance your enjoyment by exploring the techniques that poetry uses to affect our response and create meaning. Exploring rhythm and rhyme, voice, mood, imagery, language and allusions, we will focus on a diverse range of poetic examples to examine how this powerful form of literature works to create emotion and connection with the reader.

This course will explore the Dada movement, focusing on Duchamp and Höch as key examples, considering such issues as social and political context, theoretical interests, material experimentation, and artistic influences.

Explore the arts of imperial China spanning across 13 dynasties and 2000 years. Study how painting, sculpture, and architecture were deeply shaped by its richly diverse culture, philosophy, and religion.

Explore the work of Van Eyck in relation to Holman Hunt and the Pre-Raphaelites more generally; consider how this 15th century painter influenced artists some 300 years later.

Black London is shifting and ever-evolving. This course explores how Costa award winning Caleb Nelson’s novel ‘Open Water’ and the great 1950’s classic of immigrant fiction, Sam Selvon’s ‘The Lonely Londoners’ reimagined our multicultural metropolis.