Courses in London & Online

All fiction must speak to us as readers. It must communicate atmosphere and plot, character and layers of meaning with a unique 'voice'. Characters must also sound like themselves with dialogue that compels and convinces. Learn the fundamentals of voice and dialogue in this one-day course.

Spend a fascinating day at the Victoria and Albert (V&A) Museum exploring a range of galleries. We shall be looking at the decorative arts, paintings, sculpture and design from across the world and across the centuries in this remarkable museum.

Descubre los elementos que hacen el cine de Almodóvar único e internacionalmente reconocido. El curso explora la rimbombancia de su estilo a través del estudio de técnicas cinematográficas y artefactos culturales. Este curso es para estudiantes con nivel avanzado de español (si has estudiado español al menos durante 5 años).

Once your story is on the page, the editing process begins. Where do you start and what skills do you need? This course guides learners through the editing of a story or manuscript, exploring approaches to making line edits, improving narrative structure and more.

Get to grips with the skills needed to make a start in investigative journalism.

Learn how to write journalistically about music, from reviews to interviews, in this intensive one-day course.

Already devised a cunning plan for your own fairytale? This fun workshop coaches students on how to add an extra dash of magic into the cauldron while writing in the fairytale genre.

Develop a creative and experimental sketchbook. Explore the surface qualities of drawing and mark-making with the layered possibilities of mixed-media and hand stitch. You'll have the chance to generate visual research and ideas towards a personal project.

Alfred Hitchcock (b.1899) is responsible for some of the most influential films in cinema history. He directed over 50 feature films throughout his career (11 in the 1950s) as well as hosting and directing the TV series Alfred Hitchcock Presents (1955-61). He peaked in the fifties, when he hit his own fifties. Instead of a mid-life crisis he had his most productive period ever and received the official title of the "Master of Suspense”. Just before this he had hit the buffers from 1947 to 1951 with one failure after another but turned things around when he went to Warner Brothers for Strangers on a Train (1951) and then, fortuitously, to Paramount for a golden run of hits from Rear Window (1954) to Psycho (1960). The French declared him an auteur—an artist. The fifties are his late, mature period and these are his most personal and revealing films. Vertigo (1958) was his autobiography.