Art & Design Courses - Online & in London  

Learn how to create textiles on this practical introductory course to textile print processes. Explore



block, transfer, silkscreen and monoprinting. Suitable for all levels.

Curious about contemporary approaches to filmmaking?



Whether you have previously attended film or art related courses or simply have an interest in exploring a variety of experimental methods, this course will transform your practice.



With an emphasis on interdisciplinary fields including animation, performance, installation and sound, the course will examine multiple applications within expanded experimental film practice.



Through discussions, workshops, and personal projects, and by utilising a wide range of techniques, participants will gain the knowledge and practical skills necessary to create innovative and challenging artworks.



This course will be delivered online and in person. See the ‘What is the course about?’ section in course details for more information.

Shape, form, pattern and texture take on added significance in black-and-white photography. Without colour to guide the eye, contrast, lighting, and composition take on even more importance. Discover these elements and the basic rules of black and white photography.

A course for intermediate and experienced printmakers wanting to build on previous experience and experiment with process to consolidate and hone technical skills. The focus is on colour application, advanced intaglio processes, realising personal projects and the production of high quality prints.

Learn how to create multicolour or monochrome relief prints. You'll be encouraged to work from your own source imagery (sketches, magazine cuttings, photos etc) as an inspirational lead-in to producing relief prints to take home.

Year 2 of CLFA (VM552) will enable you to consolidate and focus the various creative experiences and ideas you will have gained in Year 1, or from equivalent external courses.



This course enables you to identify, develop, produce, and exhibit a personal creative project.



You will adopt simple research methods to help you develop and produce a body of new creative work that takes an individual, self-motivated direction. The necessary self-motivated approach to your work will result in the development of a cohesive set of new artwork that should reflect your own interests. There will be group critiques, one-to-one tutorials and weekly studio production sessions that will challenge and enable you to explore and refine your creative intentions, plus seminars and presentations in which you will learn and engage with new contextual information. These are delivered by experienced, practising artist / tutors.



You should; be prepared to spend some of your own time developing your creative work, and enhancing your creative thinking by visiting exhibitions, reading, researching and planning your project.



Basic materials are included but you will need to supplement these depending on the nature of your creative work.



The course culminates in a group exhibition in the college gallery. This will be organised and marketed collaboratively by the student cohort with engagement and support from CLFA Tutors and City Lit technical staff.

Plan ahead and use the dark Winter months to focus on getting your garden spring ready. Discover how to reconsider the layout and planting opportunities of your outside space and create personalised garden plans ahead of the peak Spring buying and planting season.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Learn the essentials of Still Life painting from paint handling and colour theory to composition.



Dedicate some time to developing your painting in a series of controlled steps. Learn to select and prepare surfaces and materials, build a composition around still life objects and make supplementary studies to guide your colour application. For absolute beginners.

A fantastic introduction to creative processes using a variety of different media to develop an exciting sketchbook. A sketchbook is a great place to try things out, make mistakes and take risks - all in the nature of experimentation. Suitable for beginners as well as those with some previous drawing experience.

This workshop provides a forum for exploring and discussing the process (and sometimes challenges) of working with clients over a commercial design brief or commission. While some design briefs are relatively straightforward, and perhaps require a simple rendering of the client's vision, at other times the client can be unsure of what they actually want, and it can be a frustrating, uncertain and time-consuming process for the designer to identify and produce a solution to what is, sometimes, a poorly-defined question. Referring to real-life examples and case-studies, this workshop will take learners through the process of making a pitch, deconstructing a brief to be certain of what the client wants and needs (and whether these are same thing), presenting proposals, and working within time, resource and financial constraints. These are invaluable skills for the design professional that are equally applicable, for the student, to project briefs and coursework.



For this workshop, you will need to have access to A3 or A4 plain paper, and a range of coloured marker pens, as well as a notebook. Basic materials will be provided, but you are welcome to bring and use your own as well.