Courses in London & Online

This short course is geared towards helping you sound more like a native speaker of Italian. While Italian pronunciation may seem relatively simple, there are actually quite a few features that require focus and practice. This course will allow you to concentrate on the sounds of Italian - how to produce them when speaking and how to recognise them when listening.

Revise and consolidate your speaking and listening skills, as well as your grammar. Suitable if you have completed completed 2-3 years of study in the past.

Explore diverse economic theories beyond capitalism in economic paradigms with regards to the alternatives of capitalism and broaden your understanding of global economic systems.

What do we know? How do we know it? What are the limits of knowledge? Join this course to explore the area of Kant’s philosophy which focuses on his theory of knowledge.

Have you wondered why a film might have moved you so powerfully or why it looked so stunningly beautiful? Have you wanted to know quite how a film was able to communicate its story to you so effectively? If so, then this advanced level film studies course is for you. It aims to explore in depth the language of cinema, the way in which film connects with its spectators at the level of film form, in other words, film aesthetics. Writers and critics have long asked similar questions, as have filmmakers themselves, and we will follow some of the most celebrated in their quest for answers. We will look briefly at how films are made and at the importance of cinematography, editing, mise en scène and sound, before exploring in depth film’s aesthetic qualities. We will think about the importance of history for the development of film form and we will analyse clips and sequences from individual films so as to better approach and understand film aesthetics.

This is an intermediate to advanced German language course for lovers of German history.

This course will introduce and discuss two novels by eminent author, Muriel Spark- Memento Mori (1959) and The Ballad of Peckham Rye (1960). Her writing wilfully upends notions of conformity and acts as a disrupter to accepted conventions. Instead, ‘Spark beckons us to encounter the stranger’ (Marilyn Reizbaum). Playfully disrupting passive readers and stretching comfort zones, Spark’s work provides a space to access unaccustomed outlooks that make us rethink our relationship with ourselves, others, and the world. Instead of unconsciously going with the flow, she awakens us to life’s stranger things.