Courses in London & Online

What do we mean by ‘literary fiction’? What expectations do we bring to the novels we read? Do we really ‘escape’ when we enter fictional worlds? These are just some of the questions addressed in a course which focuses on the analysis of prose fiction. Reading texts as short as one-sentence ‘flash fiction’ to complete short stories, it engages with writing from a wide range of periods and authors, paying close attention to narrative techniques and their effects.

If you want to have the chance to read Chinese characters, expand your vocabulary, improve your pronunciation, and strengthen your reading comprehension level, please join us to practise your reading.Suitable for people who have learned Chinese for at least 1 year and have learned to read Chinese characters.

Come and practise your intermediate spoken French in the heart of London and develop your language skills in these topical discussion classes. Based on recordings from French television, radio news and newspaper articles. Please note that this course takes place every other week.

Join us for an energetic and intensive introduction to Salsa. Learn the essential steps and technique in this fun and friendly short course. No need to bring a partner, part of the fun is meeting new people but most of all learning a new dance style whilst having a good time.

Explore seminal modern plays by three leading women playwrights – Caryl Churchill, Timberlake Wertenbaker and Moira Buffini – who are all known for groundbreaking and innovative dramatic work.



In the company of an experienced theatre director, examine the different theatrical visions of three exciting plays.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.