New courses

Arguably, no other music has been as influential as Cuban music in the 20th century. From being the foundation of Salsa music in the Americas, to its return home in Africa, the Cuban sound has travelled far and wide. But how did this relatively small island in the Caribbean have such a large musical influence, and why was it so readily accepted?

What’s the unique appeal of historical fiction? Why do we read it, and what are we looking for? This course investigates historical fiction written in the twenty-first century and how it reimagines the past for us as contemporary readers. Reading novels and short stories set in the seventeenth, eighteenth and nineteenth centuries, we’ll explore historical fiction’s strategies, challenges and pleasures: how it can bring unknown stories into view and rewrite what we think we know. Includes Francis Spufford's Golden Hill (2016), Emma Donoghue's The Woman who Gave Birth to Rabbits (2002) and Maggie O'Farrell's Hamnet (2020).

The 2016 referendum result was one of the most significant events in recent British history. How can novels, written in that moment, shed light on the run-up to the vote and its immediate aftermath?



On this course we’ll study three fascinating and powerful novels, by Ali Smith, Anthony Cartwright and Adam Thorpe, exploring their stories and the backdrop they present of Britain’s divisions and connections.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

What sells crime novels? Does knowing about the detective's other life make readers appreciate or rate their detective skills more? Why does the figure of the male detective remain so dominant in the genre, especially given that many of the texts are by female authors? We will analyse and the discuss the development of the male detective figure in recent crime fiction, including 'A certain Justice' by P.D. James, 'In the Woods' by Tana French and 'Career of Evil' by Robert Galbraith.

Take a fresh look at Shakespeare, exploring selected plays in the company of an experienced theatre director. With performance in mind, we will examine the language of The Two Gentlemen of Verona and Twelfth Night,



and discuss how Shakespeare’s use of verse evolves over the course of his career.

Through the words of six female poets from different countries spanning a hundred years, we will explore what it meant to be a woman in the 20th Century. The poems we will read cover a diverse range of topics such as desire and sexuality, loneliness and race, gender and feminism. Includes poems by Charlotte Mew, Anna Akhmatova, Maria Pawlikowska-Jasnorzewska, Forugh Farrokhzad, Gwendolyn Brooks and Carol Ann Duffy.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.