Explore History, Culture & Writing

The aim of this course is to bring to the forefront those, in British politics and society, who may have been confined to the fringes of history, simply been forgotten about, not fully understood or had their stories altered to fit a certain narrative. Curious? Join us to learn more!

Join Dr. Carocci to explore the little known history of pre-Columbian civilizations North of Mexico and their links to Aztec and other Mexican cultures.

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.

Want to have a go at creative writing in a supportive environment? This course is designed to help you tap into your creativity and find your unique writing voice. Suitable for beginners and those with some experience of creative writing who identify as having dyslexia.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

The Maya Calendar, previously little known outside the realm of academic research, rose to worldwide prominence in 2012, since the cycle of the Calendar ended on 21st December of that year and the myth arose that the world would end when that cycle of the Calendar ended. This misinterpretation of the Calendar arose out of a lack of understanding of Maya culture, an understanding which can be obtained, at least in part, through a careful analysis of the Calendar itself.

Join us to explore the issues of race relations and racism in the USA since the Civil Rights movement of the 1960s.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.