Explore History, Culture & Writing

This four-week course delves into the written words and thoughts of the ancient Egyptians. Students will gain a foundation in the iconic writing of hieroglyphs, putting their newfound skills into practice by reading original texts from British Museum artefacts. This is a truly fascinating and intricate language, and it offers its readers the ability to understand the lost voices of one of history’s most remarkable civilisations. The class will be held in Covent Garden, with regular visits to the near-by British Museum.

The aim of this course is to bring to the forefront those, in British politics and society, who may have been confined to the fringes of history, simply been forgotten about, not fully understood or had their stories altered to fit a certain narrative. Curious? Join us to learn more!

Join Dr. Carocci to explore the little known history of pre-Columbian civilizations North of Mexico and their links to Aztec and other Mexican cultures.

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.

Want to have a go at creative writing in a supportive environment? This course is designed to help you tap into your creativity and find your unique writing voice. Suitable for beginners and those with some experience of creative writing who identify as having dyslexia.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).