New Courses 

They were called ‘foreign films’ in the fifties, the first films to emerge from Europe and further to a wider British and American audience: Bicycle Thieves (1948 Vittorio De Sica) Rashomon (1950 Akira Kurosawa), Pather Panchali (1955 Satyajit Ray), Seven Samurai (1954 Akira Kurosawa), The Seventh Seal (1957 Ingmar Bergman), Plein Soleil (1960 Rene Clement). They played at The Academy Oxford Street or The Everyman Hampstead. Once you overcome the one-inch tall barrier of subtitles, you discover a whole world of amazing films. Too many filmgoers are scared off by the notion of international cinema. In cultural shorthand, ‘foreign film’ was a euphemism for snootiness, a stereotype that kept audiences from experiencing some of the greatest movies ever made. Once you open yourself up to them you’ll find there’s nothing to be intimidated by.

We are now 25 years into the 21st century. This course is a guide to concert music and new composition of the century so far.

This Culture course will give you an opportunity to explore the variety of ways that embodiment has been thought and theorised. Across six weeks we will cover a variety of influential approaches to embodied life in the twentieth and twenty-first century, including biopolitics, psychoanalysis, posthumanism, affect theory, science and technology studies, feminism and queer theory.