New Courses 

Creators of arguably the most popular and enduring opera in the English language from the 19th century, this course will introduce you to Gilbert & Sullivan’s musical legacy via biographical study and operatic highlights. tutor: Katy Homden

“It was the best of times…it was the worst of times.”



How did the Victorians see the world? They lived through one of the most dramatic periods in our history – and their literature reflects that. Victorian Visions looks at a wide variety of themes in Victorian culture: from the city to the home, from dreams to nightmares, from faith to doubt, from moralism to decadence, from ideology to empire.

On this in-college literature course we will explore what some of the most significant British authors of the period did and thought on their travels, real and imagined, in the decade leading up to World War II. Authors include Graham Greene, Christopher Isherwood, Jean Rhys and George Orwell.

Come and explore three pioneering tragedies of the early English Renaissance commercial stage (1585-1592): The Spanish Tragedy (1586), Arden of Faversham (1588-92), and Tamburlaine Part I (1587). These plays were to become the models setting the standard and blueprint for three influential sub-genres: Revenge Tragedy, Domestic Tragedy, and Heroic Tragedy. We’ll look at their dramatic inventiveness, creativity in handling sources, and why they enthralled contemporary audiences.

The katabasis or journey into the underworld is a standard element of many classical texts. This course explores what this journey and the return to the world above means in a selection of Greek and Roman texts with examples taken from mythological poetry, epic, and Athenian drama. We will also look at how later writers (Joseph Conrad, Margaret Atwood, Elena Ferrante) adopt and adapt this trope using it to explore colonialism, feminism and motherhood.

Study the history and form of this famous work in a short, enjoyable music history class.

Composer Luciano Berio and singer-composer Cathy Berberian were the power couple of contemporary music in the 1950s and 1960s, collaborating to discover new sounds and musical techniques and structures in works from Tema: Omaggio a Joyce and Sequenza III to Stripsody.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?