New Courses 

Come and explore three pioneering tragedies of the early English Renaissance commercial stage (1585-1592): The Spanish Tragedy (1586), Arden of Faversham (1588-92), and Tamburlaine Part I (1587). These plays were to become the models setting the standard and blueprint for three influential sub-genres: Revenge Tragedy, Domestic Tragedy, and Heroic Tragedy. We’ll look at their dramatic inventiveness, creativity in handling sources, and why they enthralled contemporary audiences.

Mozart’s music has come to stand for the greatest and most beautiful aspects of the Western classical tradition. But who was he? And what exactly did he do? Come and discover more about this famous Vienese composer. break week 29 Oct 2025.

Experience the enjoyment of writing about music. Share your musical opinions in several formats and be inspired to develop your own longer-term writing project. Break week: 30 Oct 2025.

This advanced German language course for lovers of Germany is part of the series “Wanderlust” which will explore a variety of interesting destinations in Germany.

During the 1920s, Aldous Huxley was beguiled by D.H. Lawrence and his life-affirming philosophy, but after moving to California in 1937 he became increasingly influenced by mysticism. He was initiated by Swami Prabhavananda of the Hollywood Vedanta Society, who would become Christopher Isherwood’s guru. On this course, we will explore how the spiritual interests of these British writers shaped the literary work they wrote in America.

This course is specifically aimed at the mobile therapist wishing to offer clients a hot and cold stone massage, without the need to carry a massive traditional hot stone heater around with you!

This in-college literature course delves into the provocative and unsettling world of contemporary body horror - primarily by femme and queer authors. Over six-weeks we will explore how writers reframe the body as a site of both violence and transformation: using aesthetics of the uncanny, grotesque or abject to disturb and overturn societal norms surrounding gender, sexuality, identity, and power.

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.

The katabasis or journey into the underworld is a standard element of many classical texts. This course explores what this journey and the return to the world above means in a selection of Greek and Roman texts with examples taken from mythological poetry, epic, and Athenian drama. We will also look at how later writers (Joseph Conrad, Margaret Atwood, Elena Ferrante) adopt and adapt this trope using it to explore colonialism, feminism and motherhood.