New Courses 

On this in-college literature course we will explore what some of the most significant British authors of the period did and thought on their travels, real and imagined, in the decade leading up to World War II. Authors include Graham Greene, Christopher Isherwood, Jean Rhys and George Orwell.

Come and explore three pioneering tragedies of the early English Renaissance commercial stage (1585-1592): The Spanish Tragedy (1586), Arden of Faversham (1588-92), and Tamburlaine Part I (1587). These plays were to become the models setting the standard and blueprint for three influential sub-genres: Revenge Tragedy, Domestic Tragedy, and Heroic Tragedy. We’ll look at their dramatic inventiveness, creativity in handling sources, and why they enthralled contemporary audiences.

Mozart’s music has come to stand for the greatest and most beautiful aspects of the Western classical tradition. But who was he? And what exactly did he do? Come and discover more about this famous Vienese composer. break week 29 Oct 2025.

This online literature course explores representations of solitude in recent fiction and memoir. Reading twentieth- and twenty-first-century texts, we’ll consider experiences of solitude across rural and urban settings, from remote islands to crowded cities. How is solitude shaped by places, culture, gender, age and technology?

This course explores how dramatists use their position as commentators to reflect the societal and political issues affecting the nation. Drawing on texts by Laura Wade, Jez Butterworth, Roy Williams and others, we’ll discuss how issues such as class, national identity, queer and black lives, and activism have been interrogated by Britain’s finest contemporary playwrights.

This course will introduce and discuss the fiction of renowned author, Angela Carter, specifically focusing upon one novel and one short story. Carter wanted her writing to ‘demythologise the fictions that regulate our lives’, to explore how society narrates us into being and holds us there. In doing so, she offers us a chance to read and, ultimately, release ourselves through her work, as we come to understand the relationship between fiction and reality. For Carter, both of these – fiction and reality – are two sides of the same coin.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

What makes a poet modern? What is the different between modern poetry and modernist poetry? How has modern poetry informed the work of poets writing today? Come and explore the exciting range of poetry written in the twentieth century in a supportive and energising group context.

On this practical introductory course, you will develop solid foundational skills in Adobe Photoshop, Illustrator, and InDesign, following a natural print workflow. You will learn essential tools and techniques to manipulate images in Photoshop, create basic designs in Illustrator, and lay out single-page documents in InDesign. Additionally, you will explore how these programs integrate to enhance your creative projects.

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.