New Courses 

Experience the enjoyment of writing about music. Share your musical opinions in several formats and be inspired to develop your own longer-term writing project. Break week: 30 Oct 2025.

This advanced German language course for lovers of Germany is part of the series “Wanderlust” which will explore a variety of interesting destinations in Germany.

This in-college literature course delves into the provocative and unsettling world of contemporary body horror - primarily by femme and queer authors. Over six-weeks we will explore how writers reframe the body as a site of both violence and transformation: using aesthetics of the uncanny, grotesque or abject to disturb and overturn societal norms surrounding gender, sexuality, identity, and power.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

Explore the astonishing range of poetic responses to a hundred years of warfare, acts of witnessing, endurance, defiance and condemnation by writers across the globe: Sassoon and Wilfred Owen in Britain, Brecht, Milosz, Celan, Akhmatova and Stepanova in Europe and Russia, Darwish and Zhadan in the Middle East and Ukraine, and many others. How do they describe the indescribable? High art or doggerel, what does it matter once the bombs start to fall?

Join us to explore two of Shakespeare’s greatest plays, his tragedy King Lear, and his late ‘romance’, The Tempest. We’ll consider the connections – and differences - between these works, thinking about Shakespeare’s use of genre and language, the historical contexts, changing critical perspectives, and aspects of the plays in performance.